Ariette (Der Kuss) (1798, 1822), Opus 128

Время создания: Ende 1798 (erste Beschaftigung, vollstandiger Melodieentwurf); Herbst 1822 (Skizzen) bis November oder Dezember 1822

Ариетта «Поцелуй», соч. 128 на текст Кристиана Феликса Вайссе была написана в 1798 году и долгое время оставалась неизданной. В 1822 году Бетховен слегка отредактировал ее для первой публикации, осуществленной три года спустя. Музыка в движении менуэта чарует поистине моцартовской легкостью и изяществом, тонким лукавым юмором.

Дитрих Фишер-Дискау (баритон)

"Der Kuss" was the last of Beethoven's songs to be published. However, although the autograph manuscript is dated December, 1822, the song was sketched in nearly its published form in 1798—well before many of his other songs were written. Sketches for the slight alterations were made while Beethoven was at work on the overture Weihe des Hauses and the Ninth Symphony. In early 1823 he offered the completed "Der Kuss" to the publisher Peters, but Peters returned it because he found it too brief. The song was finally published in 1825 by Schott and Cappi in Mainz, and was given the opus number 121—changed to Op. 128 in 1828.

Christian Felix Weisse's poem is a humorous tale of man's pursuit of female "companionship." After the fact, an unnamed man relates his experience with a woman named Chloe: The man is alone with Chloe, and wishes to kiss her. She tells him that if he does, she will scream. He kisses her anyway, "despite her resistance." The man then asks, "And did she not scream?" He answers, "Yes, she screamed, but not until much later" ("Ja, sie schrie, / doch lange hinterher").

Beethoven's setting cleverly evokes the man's story as it unfolds. As he overcomes Chloe's resistance, the music moves to the dominant, increasing tension. When the protagonist asks the listener, "And did she not scream?" Beethoven reduces the formerly lively tempo to an Adagio, and repeats the tune of the question in the piano part, setting up the punch line. At "Yes, she screamed," the original tempo resumes, and at "but not until much later," the singer is instructed to smile.

Текст (автор текста: Х. Ф. Вейссе (Christian Felix Weisse):

Ich war bei Chloen ganz allein,
Und kussen wollt ich sie:
Jedoch sie sprach,
Sie wurde schrein,
Es sei vergebne Muh.

Ich wagt es doch und ku?te sie,
Trotz ihrer Gegenwehr.
Und schrie sie nicht?
Jawohl, sie schrie,
Doch lange hinterher.

Сочинения на тот же текст:

Carl Bohm (1844-1920) , "Lange nachher", op. 326 (Lieder) no. 7